Trail Markers by Cym Aros

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This tale - the first in a series of three - opens in the summer of 1874, in a prison camp south of Carson City. Falsely accused and incarcerated, two half-brothers find themselves in a losing battle to survive corrupt and brutal conditions. Cole Franklin, twenty-nine, is the privileged scion of the late, much-lionized patriarch of a wealthy California family. Jesse, twenty-four, is that patriarch's bastard son, a fact unknown to Jesse or the surviving Franklins until a scant year and a half before. Jesse had come to the Franklins as an itinerant cowboy. He is the younger of the two men, but he had ridden a long, hard trail of poverty, prejudice, and violence in his few years. Jesse had grown up a dirt-poor, hard-working, fatherless boy in a dying Sierra mining town; by age sixteen, he had seen three years of combat as a scout and sharpshooter for the Union Army, and spent the last eight months of the war interred in a Confederate prisoner-of-war camp. Cole is a strong man, and brave, but their current predicament is unlike any battlefield he has ever faced. Jesse understands too well where they are, and what might lie ahead. He takes desperate action to ensure Cole's freedom. The consequences of that action, for Jesse and the Franklin family, are severe and far-reaching. Trail Markers begins with the brothers' struggle against raw criminality - first, for simple survival; ultimately, for justice. Jesse faces bigotry, mob violence, and the shattering of his own mental health as he battles to regain his freedom and find an honorable path home to family and to the woman he loves.

Iago’s Penumbra: A Metaphysical Novel by Rose Guildenstern

Everybody loves a good ghost story, yet poor dead Vee feels anything but “good” being stuck upstage in the heavens of her own afterlife. She can peek in on Val, who’s “downstage” with the living but haunted by ghosts. Then there’s Julie, stubbornly stage left but longing to be downstage with Val. And finally, poor Peter remains solitary in his stage-rightness with the sneaking suspicion he might be dead wrong. Trapped at center stage lurks the demon Iago, willing to bridge heaven and hell to exit this cursed performance once and for all. Just as Good Omens revamped the book of Revelation and His Dark Materials reimagined Milton’s Paradise Lost, Iago’s Penumbra is a modern love story about the darkness that redeems us, rooted in the works of William Shakespeare—with a little philosophy, physics, and cosmic horror thrown in, just for fun.